It’s satisfying work, but occasionally a bit mind-numbing in a creative sense. I choose the desired sounds from the library, dropping them into the Drum Rack, and then I set about programming the rhythms by hand with MIDI, drawing them out manually, adjusting velocity and timing, and perhaps adding effects or other tweaks on a sound-by-sound basis. The array of options is a bit mind-boggling.Īs a longtime Ableton Live user, my usual workflow is using a Live Drum Rack, coupled with an off-the-shelf rhythm sample library. Some are pre-made, some are programmed, and among those programmed, the programming itself may be MIDI or something else. Samples you arrange yourself through whatever means. Loops of pre-constructed samples and arrangements. Drum machines (whether physical or their virtual, digital counterparts). Of course, there are many schools of thought and many approaches to laying down rhythms. That city is Toronto, the little company is called WaveDNA, and that neat little piece of software? Well, that’s called Liquid Rhythm.Ī young company-just four years old-WaveDNA has decided to tackle one of the fundamental elements of any EDM music project: beat construction.
Liquid music vs liquid rhythm software#
So it was with the discovery of a neat little piece of software from a little company in the big city. One of the things I love most about reviewing music technology for these pages is stumbling across innovative ideas hanging out at the fringes, kicking the tires, and discovering something really cool in the process.
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